Like Life and Love. A review of Rosie Herrera’s “Carne Viva.”

Rosie Herrera’s Carne Viva at Miami Light Project last Thursday started with a deceptively static pose: dancer Simon Thomas-Train holding Ivonne Batanero overhead. But this is not a traditionally triumphant dance lift. His arms extend straight up, his hands gripping her armpits, while her arms reach directly out to the side, so that she becomes…

Poetry in Motion – The Return of Brigid Baker’s Big Beautiful and Wonderlawn

The choreographer and avant-garde godmother Brigid Baker stages a rare performance outside her Little Havana creative home, the 6th Street Dance Studio, this Thursday and Friday. Baker, a key (though not always sufficiently acknowledged as such) master dance teacher and artistic mentor in Miami, will present her pieces Wonderlawn, a reflection on the early AIDS…

Our Story Here and Now with One Night in Miami

With One Night in Miami, the riveting play that just kicked off Miami New Drama’s second season, artistic director Michel Hausmann hits straight to the heart of his troupe’s mission – presenting work that’s central to Miami. Not only because of the play’s uniquely Miami story. But because that story speaks to and for a…

She’s in Control: Antonia Wright at Spinello Projects for Art Week

Control. Antonia Wright’s fast, brutal blast of a performance piece at Spinello Projects for Miami Art Week, took on multiple interpretations with that title. It’s a kind of miracle of meaning, a whole potentially tedious aesthetic and political essay in two syllables. The preparation took longer than the piece. On the Saturday I attended, the…

Listen to the Dead – Tania El Khoury’s Gardens Speak

What may well be the most powerful, unique and mesmerizing work in all of Miami Art Week is buried in a room at the side of the Fillmore Miami Beach. In Tania El Khoury’s Gardens Speak, the dead come alive and speak directly to us. The piece is an indefinable mix of installation, story-telling, sound,…